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Ray Ban Aviator Sunglasses with Polarized Lens RB3025 - Click to see all colors»rank: 2127
0ur opinion: :Since 1937, Ray-Ban can genuinely claim the title as the world's leading sunglasses and optical eyewear brand. Combining the best of fashion and sports performance, the Ray-Ban line of Sunglasses delivers a truly classic style that will have you looking great today and for years to come.
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Ray-Ban RB 2132 New Wayfarer - All Colors»rank: 8184
0ur opinion: :Do you want to join the most sophisticated sunglasses wearer? Get yourself the New Wayfarer RB 2132! They display fashion with styles and colors and extreme comfort.
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Ray-Ban RB 2113 Wayfarer sunglasses»rank: 3669
0ur opinion: :Considered to be the 'ConnoisseurÕs Choice' of sunwear, the Wayfarers are the best-selling sunglass design in history. Ray-Ban 2113 features densely designed frame structure along with classical lines that has become a trademark of iconic figures such as Jack Nicholson, James Dean, Marilyn Monroe, and Audrey Hepburn. Amidst all the glitz and glamour of todayÕs fashion landscape, the Wayfarer has quietly earned the reputation of a modern day fashion legend.
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Ray Ban Wayfarer Sunglasses with Polarized Lens - RB2113 (Click for all colors)»rank: 33210
0ur opinion: :(Please click on 'See Larger lmage & other views' for additional Close-Up Photos) Since 1937, Ray-Ban can genuinely claim the title as the world's leading sunglasses and optical eyewear brand. Combining the best of fashion and sports performance, the Ray-Ban line of Sunglasses delivers a truly classic style that will have you looking great today and for years to come.
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Ray-Ban RB 3342 (Warrior)»rank: 36301
0ur opinion: :
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Rayban RB 3211 Shield Aviators - Select Color & Size»rank: 31539
0ur opinion: :Timeless, authentic and imaginative, the Ray-Ban collection remains true to its classic heritage, while continuously evolving to meet today's fashion demands. Ray-Ban sunwear provides timeless style with models like the classic Wayfarer and Aviator while also offering exciting new styling innovations in keeping with today's contemporary urban fashion.
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Ray-Ban RB 3025 Aviator (Large) sunglasses»rank: 17415
0ur opinion: :Aviator sunglasses are one of the first widely popularized styles of modern day sunwear. Known for its functional and distinctive design, Ray-Ban Aviator sunglasses withstood the test of time and changing fashion trends. Ray-Ban offers 3 classic Aviator models of ranging sizes. Ray-Ban 3O44 is the smallest, designed for the petite individual. Models 3O25 and 3O26 are medium/large and extra large, respectively. True to its nature, all three models are exactly the same and they will never go ...
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Ray-Ban ORIGINAL Wayfarer RB 2140»rank: 37295
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Ray Ban ORIGINAL WAYFARER 2140 - Select Color and Size»rank: 2659
0ur opinion: :The Ray-Ban Wayfarer is a design of sunglasses manufactured by Ray-Ban since 1952, when their design was a revolutionary break from the metal eyewear of the past. Wayfarers enjoyed early popularity in the 195Os and 196Os, especially after they were worn by Audrey Hepburn in the 1961 movie Breakfast at Tiffany's. Though the sunglasses had faded from the limelight by the 197Os, a lucrative 1982 product placement deal brought Wayfarers to their height of popularity. Since the mid-2OOOs, ...
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Ray-Ban RB 2132 New Wayfarer sunglasses»rank: 13389
0ur opinion: :Ray-Ban introduced a modified version of its classic Wayfarer in the way of model 2132. Paralleling his own success, Tom Cruise revitalized the Wayfarer in the 8OÕs by donning this very style in his hit film ÒRisky Business.Ó This version introduces sleeker lines while maintaining the integrity of the classic Wayfarer statement. True to its timeless design, it may possibly be the only sunwear bold enough to seamlessly cross the uncharted boundaries of the casual and the sophisticated.
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The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognized was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.
Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley


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Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").
The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.
Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.
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The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.
The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).
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Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.
There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas
More Incredibles at Amazon.com
![]() The Incredibles Toy Store | ![]() CD Soundtrack | ![]() The Art of The Incredibles Book |
![]() Game Boy Advance | ![]() On VHS | ![]() The Essential Guide Book |
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The Pixar Feature Films
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More Animation DVDs
![]() Favorite Animated Performances | ![]() Previous Animated Oscar Nominees | ![]() If You Like The Incredibles... |
![]() Our Disney DVD Store | ![]() Looney Tunes Golden Collection | ![]() Walt Disney Treasures |
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More Superheroes on DVD
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Also from Filmmaker Brad Bird
![]() The Iron Giant (Writer/Director) | ![]() "Family Dog" on Amazing Stories (Writer/Director) | ![]() Batteries Not Included (Cowriter) |
![]() The Simpsons (Director/Consultant) | ![]() King of the Hill (Consultant) | ![]() The Critic (Consultant) |